Woyzeck takes psychotropic drugs and punishes himself physically. He has no choice. It's his living. With what he earns selling his body and by working in a restaurant and in subway tunnels, he just about makes ends meet. Coming home to his wife Marie and his infant child, he’s an impotent wreck -- and definitely unable to afford the earrings he sees Marie wearing one day. She’s frustrated and the jewelry is a gift from the local pimp. Woyzeck wasn't supposed to find out. But he has. Plagued by voices, he loses his already weak grip on reality. He retreats into the tunnels with Marie and the baby. There Woyzeck is the master of life and death.

This piece looks at the film's rather distinctive production design and cinematography.

The story of three women who live in a North Carolina town and defy the traditional roles set forth for them by society.

The personal and collective story of an existence inextricably linked to cinema, that of Paul Vecchiali. Mayerling is the title of Anatole Litvak’s 1936 film and is also the name of the house in the south of France where he lived and made his last !lms, a place Vecchiali will return to for his Retour à Mayerling. In this portrait, Paul looks at himself an his collaborators who describe him. 　　During his art studies, Antonio Pettinelli began working as a radio host, then as a journalist, covering topics related to cinema, music and entertainment. He was Fellini’s voluntary assistant director in City of Women. He wrote and directed documentaries and reportages in Italy and abroad, mainly for the RAI networks.

The relationship between a middle-aged man and the elderly woman who has been the family's helper for sixty years.

Cultures clash and families collide when an Iranian woman finds love with an eccentric bisexual artist.

Edgar and David find a sculpture at an archeological excavation. Obsessed with the find, Edgar embarks on a journey and disappears without a trace. Years later, María, his daughter, decides to go and look for him in the jungle.

Award-winning Ukrainian filmmaker and cinematographer Artem Ryzhykov transforms into a hardened professional soldier as he navigates the confusion, chaos, heartache and reality of modern warfare.

A documentary filmmaker turns the camera on himself to examine the modern day relationship using his own past to guide him.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.